The Brian Jonestown Massacre at Manchester’s Albert Hall
Stepping into Manchester’s Albert Hall for the first time felt like discovering a hidden gem. Originally built in 1910 as the Manchester and Salford Wesleyan Mission, the venue has since transformed into one of the city's most revered music spaces. Its neo-Baroque architecture, intricate stained-glass windows, and horseshoe gallery provide an intimate atmosphere, making it the perfect backdrop for the night’s heady mix of ‘60s-inspired rock and modern psychedelia.
Kicking off the evening, Swedish space-rockers Les Big Byrd delivered a mesmerizing set of hypnotic rhythms and atmospheric soundscapes. Formed in 2011 by Joakim Åhlund and Frans Johansson, they’ve worked with BJM’s Anton Newcombe on early recordings, and their synergy was palpable. Tracks like “Mareld,” “Diamonds, Rhinestones,” and “I Used to Be Lost” set the tone perfectly, swelling their British fanbase in the process.
Les Big Byrd - Photo ©PhilThorns
Then came The Brian Jonestown Massacre, led by the ever-enigmatic Anton Newcombe. As the venue hit full capacity, fans surged forward, roaring in approval. With a career spanning over three decades, BJM continues to evolve, weaving elements of ‘60s psychedelia with a raw, rebellious energy. Their setlist was a deep dive into their vast discography, featuring classics like “Anemone” and “When Jokers Attack,” alongside newer gems such as “Fudge” and “Don't Let Me Get in Your Way.”
BJM’s performance felt more like an immersive experience than a conventional gig—psychedelic jams, driving rhythms, and a connection with the crowd that was almost tangible. It was chaotic, hypnotic, and wholly unforgettable—a reminder of why live music, in all its raw unpredictability, is something truly special.
